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house party 1990

So he plans a party for her which of course leads to complications and hijinks. Like the last film, it was a direct to video fare and even features a cameo by Kid 'N Play reprising the roles of their fictional selves. In the years that have passed since the third movie, the pair now have their own record label - accomplishing a goal they decided on at the end of the second movie and pursued throughout the third. No other characters from the Kid n Play era are featured or mentioned. The first movie, released in 1990, was centered around a house party hosted by Play as his folks were out of town.

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The Rams unveiled the lavish mansion where they will run their draft with features that include a game room, lounge, pool and covered bar. There’s an issue much larger than box-office grosses and net points riding on the shoulders of this small, imperfect teen comedy. The media, Reggie feels, has created an inaccurate stereotype--that all black kids are anti-social dopers. Reggie Hudlin, however, defends his depiction of urban black kids who just say no. Reginald and Warrington Hudlin grew up in the manufacturing city of East St. Louis, Ill., across the Mississippi River from St. Louis, Mo.; their mother is a junior high school teacher, their father an insurance broker.

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Hip-hop was written into House Party’s script, but it went over the heads of many studio executives. Although the genre was rising in popularity during the late ’80s, and hip-hop-centric films like 1983’s Wild Style, 1984’s Beat Street, and 1985’s Krush Groove had become cult favorites, it still wasn’t on the average exec’s radar. Grillo says the staff at New Line’s New York office was well aware of hip-hop’s rising influence because they rode the subways and walked the streets, unlike their Los Angeles counterparts.

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In “House Party,” walking a “project girl” to the door means worrying about snipers on rooftops. It’s a world where obese parents slurp Dick Gregory’s Slim-Safe Bahamian Diet, not Ultra Slim-Fast. And where cursing racist cops to their faces is not considered bold but matter-of-fact. He made short films at Yale, graduating in 1974, but couldn’t find a place in the white-dominated mainstream film-making Establishment. I asked myself, ‘How can I connect with the black community, which in my mind was my primary audience. House Party is a series of hip-hop comedy films that began as starring vehicles for the rap duo Kid 'N Play (Christopher Reid and Christopher Martin).

The teen movies of the 1980s, such as those written and directed by John Hughes, left an indelible mark on the decade. In many ways, Sixteen Candles, The Breakfast Club, Weird Science, Pretty in Pink, and Ferris Bueller’s Day Off are as representative of the ’80s as Reaganomics. That is the snapshot of Americana his administration sought to protect. These films depict a distinctly safe, white, suburban teenage existence.

“And as soon as they saw us do it, they gave us the thumbs up.” Hudlin gave the rest of the cast similar latitude. It doesn’t matter how we get there, but I want to get there in your voice,’” Reid says. John Witherspoon, already a legend in Hudlin’s eyes, was cast off his work in I’m Gonna Git You Sucka, Hollywood Shuffle, and The Richard Pryor Show. And Hudlin, a huge Parliament-Funkadelic fan, wrote a role specifically for George Clinton—the funk deity has a cameo as a fast-talking DJ at a bougie affair—so he might have the chance to meet him. Full Force, who were already known for their own music as well as writing and producing for Kurtis Blow and Lisa Lisa and Cult Jam, wound up in House Party as the bullies because the script already included descriptions of them. “It said something like, They get accosted by three bullies with great physiques and Jheri curls, somebody like Full Force,” says singer Lou “Bowlegged Lou” George, who played Pee-Wee.

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House Party—the first movie Hudlin wrote and directed—isn’t a novel concept. A teen from Anywhere, USA, gets in trouble at school and is forbidden by his strict father from going to a friend’s party, an order he obviously disregards. From there, the kid spends nearly 100 minutes trying to avoid ass-kickings from three muscle-bound tormentors, two racist cops, and one pissed-off father, all while hedging his bet with two girls who have varying degrees of interest in him. But despite the simple formula, House Party stands in stark contrast to many of the teen films that preceded it—because, as Hudlin mentioned, these kids were black. Kid ‘n Play, portraying rival rappers, incarnated the film’s spiky-but-suave, raunchy-but-romantic tone.

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“Even though you had Beat Street and Wild Style, there was nothing like this,” says Christopher “Play” Martin, who portrayed the party’s suave host. Clueless sparked a teen movie revival during the mid-’90s and Cruel Intentions supposedly put the genre 6 feet deep at the decade’s close, but House Party set the standard. "House Party" is first of all a musical, and best approached in that spirit.

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Of course though things get complicated before everything winds down to a bachelor party thrown for Kid. This film was notable for debuting Chris Tucker and featuring the rap group Immature (later known as IMx) who play Kid's nephews. It was the last movie to feature a plot revolving around Kid 'N Play but not the last to feature them altogether. The actors in “House Party” (citywide), a catchy, often hilarious teen-age sex comedy set in an all-black milieu, seem to think musically.

The New Yorkers are the latest in a continuing wave of African-American film makers--Spike Lee leading the charge--who are trying to get their foot in the proverbial Hollywood door without compromising their personal visions. This section includes characters who will appear or have appeared in more than two films in the series. There’s a good chance House Party’s influence may never fade. In February 2018, LeBron James and his SpringHill Entertainment partner Maverick Carter announced that they’d be co-producing a modern take on the film with a script written by Stephen Glover and Jamal Olori, most notably of FX’s Atlanta. Both Reid and Martin are eager to see how the concept translates in the modern era and for the new handlers to succeed at that.

In late 1987, they took Reggie’s feature-length script of “House Party,” based on his student film, to executives at the New York headquarters of New Line Cinema (“Nightmare on Elm Street,” “Hairspray,” “Torch Song Trilogy”). But making commercial feature films remained an elusive goal. At Harvard--he graduated in Reggie’s senior thesis was a 20-minute film called “House Party,” which won a New England regional student Academy Award as best film. Partners since 1986, the two brothers have taken turns producing what the other writes and directs, including a number of videos for such hip-hop groups as Heavy D and the Boyz, Guy, and the Uptown Crew.

You may occasionally receive promotional content from the Los Angeles Times. Smooth Play keeps picking up women right and left, humiliating his “dragon-breathed” wallflower chum Bilal. Kid, grounded by his Pops (Harris), because of a school fight, sneaks out. At the party he is torn between two school sirens, Sharane (A. J. Johnson) and Sidney (Tisha Campbell), who are also being romanced by the insatiable Play. Some scenes were okay (the battle rap scene stood out the most, the only scene I thoroughly enjoyed) but overall nah. I never watched these films (from what I remember at least) in the 90's, I did used to watch CLASS ACT with Kid N Play over and over though so not sure why...

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